Black Bluegrass Music: The Carolina Chocolate Drops, “Genuine Negro Jig”
• December 5, 2010 • 2 CommentsPosted in African American History, American History, Black People, Celebrities/Royals, Chicanos/Latinos, Class, Cultural History, Education, Emmys/Grammys/Oscars/Globes, Love, Memoir, Music, Music Videos, People of Color, Race, Sexuality, Television, The Carolina Chocolate Drops, Women
Tags: "Bonnie and Clyde", "Cornbread and Butterbeans", "Foggy Mountain Breakdown", "Hit 'Em Up Style", "Tain't Nothin' to Me", "The Beverly Hillbillies", African Americans, Antagonism, Apollo Theater, Asleep at the Wheel, Autoharp, Black Banjo: Then and Now, Black Women, Blacks, Blu Cantrell, Bluegrass, Broadway Musical, Carolina Chocolate Drops, Country Music, CW, Dolly Parton, Dom Flemons, Fiddler, Flatt and Scruggs, Genuine Negro Jig, Gospel Choir, Guitars, Hammer Dulcimers, Hank Williams, Hit 'Em Up Style (Oops!), Jefferson Airplane, Joe Thompson, Johnny Cash, Jugs, Justin Robinson, k.d. lang, KSOL, Lesbians, Lower Class, Music, Nasal Twang, Opera, Papa John Creach, Patsy Cline, People of Color, Poet, Queen Latifah, Racism, Rhiannon Giddens, Slide Guitars, Something Else, Southern Whites, Telluride CO, The Apollo Theater, The Carolina Chocolate Drops, The Coasters, The Eighties, The Seventies, The South, Tom Waits, Willie Nelson